Rachid
Rachid (b. 1973) is a Togolese artist who spent most of his formative years working closely with the late and distinguished artist, sculptor, architect and national flag designer, Paul Ahyi.
Rachid began working with Ahyi in 1995, shortly after graduating from High School. His time with Ahyi was of great influence, and also propelled him to discover and shape his own style. Consequently, Rachid’s work began to gain attention and recognition. This led to his participation in several exhibitions across West Africa, Continental Europe and most recently, London.
The artist draws inspiration from his cultural heritage. He says, “African tradition is what most inspires me.” Rachid feels a deep connection to nature, and is most passionate about farming and cultivation, which is evident through his choice of materials. Rachid exhibits mastery within his medium; he transforms his materials into tools used to render his technique. He says, “Wood, clay, and pyrography are strong techniques in my work; ‘kake’ or ‘proso,’ mahogany, faux teak, teak and roots are used. For my pyrography, I use imported plywood, torches, acrylic and oil pastels.”
Rachid lives in Lomé and is fully dedicated to his art. He is currently working on a new series of artworks on wood, and experimenting with smaller sizes (78×79).
Rachid (b. 1973) is a Togolese artist who spent most of his formative years working closely with the late and distinguished artist, sculptor, architect and national flag designer, Paul Ahyi.
Rachid began working with Ahyi in 1995, shortly after graduating from High School. His time with Ahyi was of great influence, and also propelled him to discover and shape his own style. Consequently, Rachid’s work began to gain attention and recognition. This led to his participation in several exhibitions across West Africa, Continental Europe and most recently, London.
The artist draws inspiration from his cultural heritage. He says, “African tradition is what most inspires me.” Rachid feels a deep connection to nature, and is most passionate about farming and cultivation, which is evident through his choice of materials. Rachid exhibits mastery within his medium; he transforms his materials into tools used to render his technique. He says, “Wood, clay, and pyrography are strong techniques in my work; ‘kake’ or ‘proso,’ mahogany, faux teak, teak and roots are used. For my pyrography, I use imported plywood, torches, acrylic and oil pastels.”
Rachid lives in Lomé and is fully dedicated to his art. He is currently working on a new series of artworks on wood, and experimenting with smaller sizes (78×79).
